The Mairne's Hymn is one of the most readily recognized songs in the world today and is the oldest of the service songs in the United States of America. The history of the hymn has been clouded by the passing of time and confused by oral tradition. But there is no confusion of the part of the hearer when "The Marine's Hymn" is heard. It is an easily identified with the Marine Corps as "The Star-Spangled Bnner". To all Marines it has become a sacred symbol of the pride and professionalism of a Marine and you will find them standing straight and tall at the position of attention when performed.
The music to the hymn is believed to have originated in the comic opera GeneviƩve de Brabant composed by the French composer Jacques Offenbach. Originally written as a two-act opera in 1859, Offenbach revised the work, expanding it to three acts in 1867. This revised version included the song "Couplets des Deux Hommes d'Armes" and is the music sources of "The Marines Hymn".
The author of the words to the hymn is unknown. One tradition suggested that an unknown Marine wrote the words in 1847. This would have been 20 years before the music was written by Offenbach and is not likely. The first two lines of the first verse were taken from words inscribed on the Colors of the Corps.
After the war with the Barbary pirates in 1805 the Colors were inscribed with the words of "To the Shores of Tripoli." After Marines participated in the capture of Mexico City and the Castle of Chapultepec (also known as the Halls of Montezuma) in 1847, the words on the Colors were changed to read "From the shores of Tripoli to the Halls of Montezuma." The unknown author of the first verse of the hymn reversed this order to read "From the halls of Montezuma tot he shores of Tripoli."
In 1929 the Commanding of the Marine Corps authorized the following verses of "The Marine's Hymn" as the official version:
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